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Social Justice, Decolonization,
and Intersectional Feminisms
Edited and published by Dr. Katrina Sark
University of Victoria
of
ART AND PHOTOGRAPHY
 We Believe in Human Rights, EU Summer Field School, Ravensbrück Memorial Site, Germany, 2017 photo by Chorong Kim |  The Red Dresses, Canadian Museum for Human Rights, Winnipeg, 2017 photo by Chorong Kim |  Mikhail Shemiakin’s Skeleton Sphinx, Memorial to the Victims of Authoritarianism, St. Petersburg, 2016, photo by K. Sark |  Rosenstrasse Memorial to the Women Standing in Resistance to Fascism, Berlin 2016, photo by K. Sark |  In Solidarity, EU Summer Field School, Ravensbrück Memorial Site, Germany, 2017, photo by Chorong Kim |
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 Vienna, Holocaust Memorial, 2012, photo by K. Sark |  The Streets of Illusions, Site-Mémorial du Camp des Milles, Aix-en-Provence, 2017 photo by Chorong Kim |  Human Rights Hall, Ceiling Sculpture by the contemporary Spanish artist Miquel Barceló, United Nations, Geneva, 2016, photo by K. Sark |  Stolpersteine, Berlin, 2016, photo by Riley van der Linden |  Children’s enamelware, Conservation Department, Auschwitz-Birkenau Memorial Museum, Poland, 2015 photo by Ray Illsley |
PHOTOGRAPHY - VOLUME 1
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Chorong Kim, In Solidarity, We Believe in Human Rights, The Red Dresses, The Streets of Illusions, 2017
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Kat Sark, Rosenstrasse in Berlin, Vienna Holocaust Memorial, UN Geneva Human Rights Hall Ceiling Sculpture, Skeleton Sphinx in St. Petersburg, 2016
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Riley van der Linden, Stolpersteine, Berlin 2016
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Ray Illsley, Children’s enamelware, Conservation Department, Auschwitz-Birkenau Memorial Museum, Poland, 2015
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Devon Bidal, Navigating the Feminisms, 2017
GRAPHIC NOVEL
ART
 Andrew Ly - Wing Luke Museum, 2018 |  Heather Houle - DIY Love at Toronto Pride, 2017 |  Heather Houle - DIY Love at Toronto Pride, 2017 |
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 Heather Houle - Body Hair, photo by Andrew Ly, 2018 |  Heather Houle - Body Hair 2, photo by Andrew Ly, 2018 |  Heather Houle - Cute Bums, 2018 |
 Heather Houle- My Body, 2017 |  Heather Houle - Women's March, 2018 |  Heather Houle - Women's March, 2018 |
 Heather Houle - Please Don't Capitalize on Our Mental Health, 2018 |  Heather Houle - Please Don't Capitalize on Our Mental Health 2, 2018 |  Heather Houle - Your Approval, 2018 |
 Angela Scott - Mask, 2017 This mask represents a modern twist on a traditional artistic expression; to me it represents the story of my transformation, how the world sees me, masking my resurgence, my resilience and my spirit. |  Anna Heckadon, Icelandic Protest Sign by Gunnar Már Pétursson, Reykjavík Open Air Museum, 2017 Original sign that was held outside of Parliament in Iceland by Gunnar Már Pétursson during the 2008 financial crisis. This phrase, translating to “God Damn, Fucking Fuck,” became widely used as an expression of anger at the economic corruption the country faced. |  Lindsay Budge - Privilege: Or, Shit People Say to Muslim Women, Photo by Zainab Bint Younus |
 Lindsay Budge - Privilege: Or, Shit People Say to Muslim Women, Photo by Zainab Bint Younus |  Lindsay Budge - Privilege: Or, Shit People Say to Muslim Women, Photo by Zainab Bint Younus |  Lindsay Budge - Privilege: Or, Shit People Say to Muslim Women, Photo by Zainab Bint Younus |
 Neue Wache, Berlin, Mother and Son sculpture by Käthe Kollwitz, photo by Matt Pollard 2016 |  Rubble Woman by Walter Reinhold in Dresden from 1952, photo by Matt Pollard 2016 |  Blind Portrait written by Chase Hiebert, Directed by Karin Saari, Stage Managed by Nathan Purcell, Designed by Delaney Tesch, Zoe Wessler and Sean Brossard, Featuring Pascal Lamothe Kipnes, Laura Sofia Ramoso and Ann Bernice Thomas Photos courtesy of Sierra Coyle-Furdyk, 2017 The play uses metaphor to discuss the devastating effects of mental illness. |
 Blind Portrait written by Chase Hiebert, Directed by Karin Saari, Stage Managed by Nathan Purcell, Designed by Delaney Tesch, Zoe Wessler and Sean Brossard, Featuring Pascal Lamothe Kipnes, Laura Sofia Ramoso and Ann Bernice Thomas Photos courtesy of Sierra Coyle-Furdyk, 2017 The play uses metaphor to discuss the devastating effects of mental illness. |  Blind Portrait written by Chase Hiebert, Directed by Karin Saari, Stage Managed by Nathan Purcell, Designed by Delaney Tesch, Zoe Wessler and Sean Brossard, Featuring Pascal Lamothe Kipnes, Laura Sofia Ramoso and Ann Bernice Thomas Photos courtesy of Sierra Coyle-Furdyk, 2017 The play uses metaphor to discuss the devastating effects of mental illness. |  Missing Shoes Danube Memorial, Budapest, Hungary, May 2016, photo by Riley van der Linden |
 Anne, Hackescher Markt, Berlin, May 2016, photo by Riley van der Linden |  Never Forget, Płaszów Former Concentration Camp, Kraków, Poland, May 2016, photo by Riley van der Linden |  Noga Yarmar - Fragments, 2018 I created an artistic response to an interview I did with a Holocaust survivor this past spring in Israel. As an eight-year-old girl hiding in Budapest, she experienced a traumatic event that nearly killed her. It involved glass shards. Years later, the fear of braking glass continues to haunt her in unexpected ways. |
ART - VOLUME 1
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Lindsay Budge, Privilege: Or, Shit People Say to Muslim Women, 2016
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Anna Heckadon, Protest Sign Reykjavík Open Air Museum, 2017
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Heather Houle, artworks 2017-2018
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Andrew Ly, Wing Luke Museum, 2018
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Matt Pollard, Rubble Woman by Walter Reinhold in Dresden and Käthe Kollwitz’s sculpture Mother and Son at the Neue Wache in Berlin, 2016
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Karin Saari, Blind Portrait, play 2017
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Angela Scott, Mask, 2017
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Riley van der Linden, Missing Shoes Danube Memorial, Anne, Never Forget, Płaszów Former Concentration Camp in Kraków, 2016
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Noga Yarmar, Fragments, 2018
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